Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

Interweaving: Creative Fabrication

On view

Nov

10

Dec

23

Through

Nov

10

Dec

23

When

Nov 10, 2020

Dec 23, 2020

Image of "Equal but Different", steel, waterjet cut and hand-forged sculpture, by Courtney Starrett and Susan Reiser.

Photo credit:

Courtesy of the artist.

FRONT & CENTER

Front & center

Interweaving: Creative Fabrication features recent sculptures and data materializations made by students and faculty from UNC Asheville and Texas A&M University. These works explore the intersection of time and identity in relation to key issues and current events, including Covid-19, Racism, Gender, and the 2020 Election. Each sculpture is realized through digital and traditional fabrication methods such as laser cutting, water jet cutting, 3D printing, hand-finishing, forging, forming, casting, embroidery and sewing, wood working, and welding. Additionally, several of the designs were generated by working through a novel creative process or workflow, developed by the faculty, called data materialization. 

The data materialization begins by researching and identifying trustworthy datasets. The data may be imported into one of several custom scripts, which in turn generates a pattern. The designs are further customized by the artists and produced as both 2D patterns, as in Sophie Lee’s Into the Social Fabric, and 3D as in Julia McAulty and Tate Folds’ Instability. The goal of this process is to produce works utilizing data as a raw material to produce meaningful forms. 

Form, Installation, and Environment, is a course in the Department of Visualization at Texas A&M University. MFA/MS candidates investigate connections between meaning, material, form, the body, space, and installations while keeping in mind the Visualization program’s mission of connecting art, science, and technology. Creative Fabrication: Art Meets Engineering is an elective course in UNC Asheville’s Engineering Program that satisfies the university’s general education requirement for the arts. In the class, students design and create sculpture that communicates a thematic message through data.

How To View

In-Person

The Center is offering free, unguided visits and affordable tours of its exhibitions to the public. Guests can reserve a 30-minute visit to explore the current exhibitions, learn more about the Center’s national impact in their Craft Research Fund Study Collection, and enjoy interactive activities. The Center is open to the public Tuesday-Friday, 11 am -5 pm. Hours of operation may be subject to change.

Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center can only allow a maximum of five guests in its public space at once and will require the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.

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Cover image: Equal but Different (October 16, 2020), Courtney Starrett with collaborator Susan Reiser. Image courtesy of Courtney Starrett.

SUPPORT

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OPENING RECEPTION

,

,

Where

Center for Craft, John Cram Partner Gallery

67 Broadway St., Asheville NC 28801

ARTISTS

Matthew Hurley

ARTISTS

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CURATed By

Susan Reiser and Courtney Starrett

Selected by CFC Partner Gallery Faculty Advisory Committee:

Suzanne Dittenber, Assistant Professor of Art

Lei Han, Professor of New Media

Jackson Martin Associate Professor of Art

Jonathan King Assistant Professor of Music

Dr. Leah Mathews, Professor of Economics

Lise Kloeppel, Associate Professor of Drama

Dr. Leisa Rundquist, Professor of Art History and University Curator 

Brent Skidmore Associate Professor of Art and Public Arts & Humanities Chair 

Exhibition management

Installation by

Exhibition design

Edited by

Graphic Design by

Photography by

exhibition events

The events for this exhibition have passed. See our full calendar for upcoming events.

about the artists

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exhibition Images

exhibition Images

Interweaving: Creative Fabrication

is

curated

by

Susan Reiser and Courtney Starrett

Selected by CFC Partner Gallery Faculty Advisory Committee:

Suzanne Dittenber, Assistant Professor of Art

Lei Han, Professor of New Media

Jackson Martin Associate Professor of Art

Jonathan King Assistant Professor of Music

Dr. Leah Mathews, Professor of Economics

Lise Kloeppel, Associate Professor of Drama

Dr. Leisa Rundquist, Professor of Art History and University Curator 

Brent Skidmore Associate Professor of Art and Public Arts & Humanities Chair 

and

organized

by

the

Center

for

Craft.

The

Center

for

Craft

is

supported

in

part

by

the

Since its inception in 1964, the North Carolina Arts Council has imagined and executed an innovative vision for arts development that touches every corner of our state — all 100 counties — from the mountains to the coast.

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

The

Center

for

Craft’s

John

Cram

Partner

Gallery

presented

in

collaboration

with

UNC Asheville transforms lives through leadership and education. The designated liberal arts and sciences institution for the UNC System and one of the nation’s top 10 public liberal arts universities, UNC Asheville enrolls 3,600 students and offers more than 30 undergraduate majors and a Master of Liberal Arts and Sciences degree. UNC Asheville also encourages students to take part in a nationally acclaimed undergraduate research program and participate in interdisciplinary learning. From internships and hands-on projects, to study abroad and community engagement, students experience an education that extends beyond campus into the vibrant City of Asheville, the surrounding Blue Ridge Mountains and the world.

and

A liberal arts college grounded in social responsibility, where hard work and community are more than just words.

.

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23

Jan

22

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