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Rachel Meginnes, I Traverse Daily (detail), 2021; Courtesy of the Artist. Erika Diamond, 40% (detail), 2022; Photo by Echard Wheeler, Courtesy of the Artist. James Vester Miller portrait; Courtesy of Andrea Clark. Potter Matt Jones digging clay; Courtesy of the Artist. Gabe Crow, Eye of the Sacred Bird, 2020; Courtesy Center for Craft. Graphic by Drum Machine Editions.

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Courtesy of Dustin Chambers

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Image courtesy of Aram Han Sifuentes

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Photograph by Bowery Blue Makers

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Sae Honda. Courtesy of the Artist.

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J Diamond, “Pony II,” 2022. Courtesy of the Artist

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Response Patterns (Anette Millington and Travis Fitch), "Solar Simplex (Rendering)," 2022. Courtesy of the Artists.

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Image courtesy of Related Tactics

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Photograph by Ginger Dunnill

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ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson, Hoot Eye, 2019. Courtesy of the Artist. Photograph by Alyssa Ruberto.

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Macon Reed, "These Are Not Fables" (Installation Detail), 2021. ©

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Still from "Weaving Connections" (2022), by ᏲᎾ Bear Allison.

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ᏚᏍᏓᏯᎫᎾᏱ Gabriel Crow, "Eye of the Sacred Bird," 2020.

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(Left) "He," Ann Miller Woodford, 2020, oil on canvas, 30 x 24 inches. (Center) "Missing Mama," Viola Spells, 2004, 10 x 12 inches. (Right) "Purel," Ronda Birtha, 2008, digital photograph.

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Graphics by Roque Strew

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(Left) Virginia Derryberry, Celo, 2018; (right) Marcia Goldenstein, Women Activists in Stitches: Maya Angelou (top) and Joan Baez (bottom), 2020. Images courtesy of the artists.

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Lara Nguyen, Connective Contours (Lara, Steven, Sather, Jess), Digital illustration. Image courtesy of the artist.

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Gabriel .A. Maher, Technologies for Seductive Criticism, 2016. Image courtesy of the artist.

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Salvador Jiménez-Flores, The Resistance Of The Hybrid Cacti (Detail), 2017. Photo courtesy of the artist.

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Image courtesy of Southern Highland CraftGuild Archives.

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Photo by Flint Born. ©

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Work by Carley Brandau, courtesy of Jim Prinz