Center for Craft 25th anniversary logo in red

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

Weaving Real to Reel: Spotlight on ᏲᎾ Bear Allison

The Center for Craft is excited to present a solo exhibition of patchwork textiles and inflatable sculptures by the Ohio-based fiber artist. Adrian’s volumetric, pneumatic work transports viewers into artifice, desire, and worldbuilding. Drawing from rich legacies of queer fiber art & theory, the exhibition features monumentally scaled works that physically respond to viewers presence by filling with air.

You can still sponsor RIPSTOP by contributing before July 12, 2024. Donate today for your opportunity to be recognized during the opening reception on August 15, 2024, and on the exhibition's Title Wall. To underwrite this exhibition, please donate now.

Weaving Real to Reel: Spotlight on ᏲᎾ Bear Allison

SPONSOR

On view

Mar

14

Jul

28

Through

Mar

14

Jul

28

When

Mar 14, 2022

Jul 28, 2022

Photo credit:

Still from "Weaving Connections" (2022), by ᏲᎾ Bear Allison.

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

Weaving Real to Reel: Spotlight on ᏲᎾ Bear Allison

On view

Mar

14

Jul

28

Through

Mar

14

Jul

28

When

Mar 14, 2022

Jul 28, 2022

Photo credit:

Still from "Weaving Connections" (2022), by ᏲᎾ Bear Allison.

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

Weaving Real to Reel: Spotlight on ᏲᎾ Bear Allison

On view

Mar

14

Jul

28

Through

Mar

14

Jul

28

When

Mar 14, 2022

Jul 28, 2022

Photo credit:

Still from "Weaving Connections" (2022), by ᏲᎾ Bear Allison.

FRONT & CENTER

Front & center

Weaving Real to Reel: Spotlight on ᏲᎾ Bear Allison

Weaving Real to Reel showcases two films by Eastern Band Cherokee filmmaker and photographer ᏲᎾ Bear Allison, Weaving Connections [2022] and A Cherokee Basket Maker [2014]. Each of Allison’s films cast light on the Cherokee artists behind the masterful baskets that are on view in the Center for Craft’s galleries. Allison captures their intensive process of harvesting, processing, dyeing and weaving, and in turn, illuminates the generations of skill and material knowledge compounded into every Cherokee basket through the cinematic format.

Bear Allison made his latest film, Weaving Connections, in conjunction with the exhibition ᎢᏛᏍᎦ  ᏫᏥᏤᎢ  ᎠᎵᏰᎵᏒ  Weaving Across Time. It features the artists ᏚᏍᏓᏯᎫᎾᏱ Gabriel Crow, Lucille Lossiah, Ramona Lossie, ᏗᎳᏂ Dylan Morgan, and ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson, who speak about their deep-rooted relationships with the land and the natural materials they weave with as well as their motivations for making.

A Cherokee Basket Maker features second-generation basket maker, Louise Goings, whose white oak baskets are on view in the alcove display. Goings learned her craft by watching her mother, celebrated basket maker Emma Taylor. In the film, she speaks about the distinction between identifying as a “basket weaver” and a “basket maker,” who knows how to harvest, process and dye all of their materials before they even begin to weave.

PLAN YOUR VISIT →

Weaving Connections

Bear Allison (Cherokee, NC; United States) Weaving Connections, 2022. Digital video; 17:48 minutes. Commissioned by the Center for Craft. Courtesy of the Artist.

OPENING RECEPTION

Sat

,

Dec

11

,

5:00 pm

7:00 pm

Where

John Cram Partner Gallery

67 Broadway St., Asheville, NC, 28801

ARTISTS

ᏲᎾ Bear Allison

ARTISTS

EasterN Band Cherokee Exhibiting Artists

CURATed By

ORGANIZED BY

Center for Craft

Exhibition management BY

Installation by

Exhibition design

Edited by

Graphic Design by

Photography by

exhibition events

The events for this exhibition have passed. See our full calendar for upcoming events.

Meet the artists

ᏚᏍᏓᏯᎫᎾᏱ Gabriel Crow

Cherokee, NC

Faye Junaluska

Cherokee, NC

Lucille Lossiah

Ramon Lose

Cullowhee, NC

ᏯᏗ ᎺᏂ Betty Maney

Cherokee, NC

ᏗᎳᏂ Dylan Morgan

Cherokee, NC

ᎺᎵ ᏔᎻᏏᏂ Mary W. Thompson

ᏎᎳᏂ ᏔᎻᏏᏂ Sarah Thompson

Patricia Welch

Field Building

CRAFT RESEARCH TALK

View the catalog

View the catalog

View the catalog

About RIPSTOP

The Center for Craft is excited to present a solo exhibition of patchwork textiles and inflatable sculptures by the Ohio-based fiber artist. Adrian’s volumetric, pneumatic work transports viewers into artifice, desire, and worldbuilding. Drawing from rich legacies of queer fiber art & theory, the exhibition features monumentally scaled works that physically respond to viewers presence by filling with air.

You can still sponsor RIPSTOP by contributing before July 12, 2024. Donate today for your opportunity to be recognized during the opening reception on July 26, 2024, and on the exhibition's Title Wall. To underwrite this exhibition, please donate now.

about the artists

Photo credit: Jamie Hopper

Photo credit: Jamie Hopper

about the curator

No items found.

exhibition Images

exhibition Images

Curatorial

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

Thank

you to the

Virginia A. Groot Foundation

and

Maxwell/Hanrahan Foundation

for

makng these residencies possible.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

RIPSTOP is supported, in part, by Arrowmont School of Arts and Craft.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

2023

Curatorial

Fellow

This exhibition was supported, in part, by the John W. and Anna H. Hanes Foundation,

and Buncombe County Government.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

2023

Curatorial

Fellow

A special thanks to

and the

for sponsoring Handwork and Hope.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

The

Center

for

Craft

is

supported

in

part

by

the

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

The 2023 Curatorial Fellowship is supported, in part, by the Stoney Lamar Craft Endowment Fund.

Thank you to Phillips, the leading auction house in art and design, for sponsoring the Curatorial Fellowship show.

Preservers, Innovators, and Rescuers of Culture in Chiapas is supported, in part by,

The Center for Craft is supported, in part, by the

Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.

This

exhibition

is

supported

in

part

by

the

the

and

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

This

exhibition

is

supported

in

part

by

the

the

and

the

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

The

Center

for

Craft’s

John

Cram

Partner

Gallery

presented

in

collaboration

with

UNC Asheville transforms lives through leadership and education. The designated liberal arts and sciences institution for the UNC System and one of the nation’s top 10 public liberal arts universities, UNC Asheville enrolls 3,600 students and offers more than 30 undergraduate majors and a Master of Liberal Arts and Sciences degree. UNC Asheville also encourages students to take part in a nationally acclaimed undergraduate research program and participate in interdisciplinary learning. From internships and hands-on projects, to study abroad and community engagement, students experience an education that extends beyond campus into the vibrant City of Asheville, the surrounding Blue Ridge Mountains and the world.

and

Warren Wilson College logo

A liberal arts college grounded in social responsibility, where hard work and community are more than just words.

.

This

exhibition

is

supported

in

part

by

the

the

and

For a full listing of the generous funders supporting the Center for Craft and our programming visit centerforcraft.org/support

More On View

Max Adrian, “A Fallible Complex,” 2021. Nylon, ripstop, blower, motion sensor. 92 x 136 x 76 inches.

Exhibition

Max Adrian: RIPSTOP

Through

Jul

26

Mar

29

Learn More

Exhibition

Connections in the Making

Through

Nov

17

Oct

31

Learn More