Originally from rural Virginia, Carrie Iverson is an interdisciplinary artist and educator working across printmaking, glass, photography, installation, and moving image. Her current focus is creating site-specific installations that are developed through careful research and community engagement, with a particular interest in involving the public in an interactive way that unfolds in tandem with the creation of her work.
She explores how images shift, fragment, and re-emerge through processes of transfer, erosion, repetition, and material accumulation, often treating light, residue, and surface as active recording systems shaped by time and contact. Since 2004, Iverson has developed toner lithography for glass, a hybrid process that adapts lithographic principles for kiln-formed glass through methods that foreground instability, translation, and material change. Iverson is Printmaking Area Coordinator at the University of Texas at Arlington, where she teaches undergraduate and graduate courses in printmaking and interdisciplinary studio practices. Her work has been exhibited nationally and internationally, and is included in collections at the Museum of Modern Art, the Art Institute of Chicago, the Brooklyn Museum, and the Virginia Museum of Fine Arts.
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