Center for Craft 25th anniversary logo in red
Center for Craft 25th anniversary logo in red

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

Suite Américaine

On view

Jun

24

Nov

26

Through

Jun

24

Nov

26

When

Jun 24, 2021

Nov 26, 2021

Photo credit:

Graphics by Roque Strew

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

Suite Américaine

On view

Jun

24

Nov

26

Through

Jun

24

Nov

26

When

Jun 24, 2021

Nov 26, 2021

Photo credit:

Graphics by Roque Strew

Current Exhibition

UPcoming Exhibition

past Exhibition

On View 

Suite Américaine

On view

Jun

24

Nov

26

Through

Jun

24

Nov

26

When

Jun 24, 2021

Nov 26, 2021

Photo credit:

Graphics by Roque Strew

FRONT & CENTER

Front & center

The daughter, granddaughter, and sister of carpenters, artist and material culture scholar BA Harrington carries craft lineage into contemporary practice. Part of a growing, intersectional cohort of women-identifying woodworkers, Harrington learned her trade, like many before her, by reproducing furniture forms of the past. Her solo exhibition, Suite Américaine, holds a reverence for the history of American furnituremaking, but is inflected with a contemporary feminist imagination. 

This body of work references late-seventeenth through early-nineteenth century dower chests, writing desks, and sewing tables, which were designed specifically for women but made by men. However, where these objects once stored and concealed the labor and craft skill of women, Harrington opens them. The six objects expose, activate, and celebrate their rich interiors, with linens and quilts spilling out of their wooden casings.

The use of French in the exhibition’s title, Suite Américaine, is a nod to the eighteenth century term for a furniture set and also allows the artist to feminize the word “American.” Similarly, the work on display acts as a feminist intervention on historic furniture. Harrington not only remakes the original forms with her own hands, asserting her technical skill, but also highlights the revolutionary potential of furniture to self-actualize the creative endeavors of women.

BA Harrington is the recipient of the Center for Craft’s inaugural Craft Research Fund Artist Fellowship. Each year this substantial mid-career grant is awarded to two artists who are revising, reclaiming, and advancing the history of craft through their work.


SUPPORT

No items found.
No items found.

OPENING RECEPTION

,

,

Where

Center for Craft, Bresler Family Gallery

67 Broadway St

ARTISTS

BA Harrington

CURATed By

Marilyn Zapf and Sarah Darro

Exhibition management

Installation by

BA Harrington, Sarah Darro, and Natalie Hood

Exhibition design

Edited by

Graphic Design by

William Strew and Kristi Pfeffer

Photography by

exhibition events

The events for this exhibition have passed. See our full calendar for upcoming events.

about the artists

Photo credit: Jamie Hopper

BA Harrington

The daughter, granddaughter, and sister of carpenters, BA Harrington took the family woodworking legacy to another level in 1992 when she enrolled in the traditional Cabinet and Furnituremaking Program at the esteemed North Bennet Street School in Boston. After working for a decade as an independent, custom furniture maker, Harrington returned to academia and her studio art background. She graduated with an MFA in wood from the University of Wisconsin-Madison in 2007. Continuing as a graduate student in the Department of Art History, she earned a Master’s Degree and a Material Culture Certificate from UW-Madison in 2010. In 2012, after accepting an Assistant Professorship at Indiana University of Pennsylvannia, Harrington teaches advanced and beginning woodworking in the College of Fine Arts, and offers support to graduate student advisory committees. Harrington continues to write essays, speak at conferences, and build sculptural work in reference to early American furniture forms. Her new research interests include ways in which cognitive science can inform craft practices and curriculum.

exhibition Images

exhibition Images

Suite Américaine

is

curated

by

Marilyn Zapf and Sarah Darro

and

organized

by

the

Center

for

Craft.

The

Center

for

Craft

is

supported

in

part

by

the

Since its inception in 1964, the North Carolina Arts Council has imagined and executed an innovative vision for arts development that touches every corner of our state — all 100 counties — from the mountains to the coast.

,

a

division

of

the

Department

of

Natural

and

Cultural

Resources.

The

Center

for

Craft’s

John

Cram

Partner

Gallery

presented

in

collaboration

with

UNC Asheville transforms lives through leadership and education. The designated liberal arts and sciences institution for the UNC System and one of the nation’s top 10 public liberal arts universities, UNC Asheville enrolls 3,600 students and offers more than 30 undergraduate majors and a Master of Liberal Arts and Sciences degree. UNC Asheville also encourages students to take part in a nationally acclaimed undergraduate research program and participate in interdisciplinary learning. From internships and hands-on projects, to study abroad and community engagement, students experience an education that extends beyond campus into the vibrant City of Asheville, the surrounding Blue Ridge Mountains and the world.

and

Warren Wilson College logo

A liberal arts college grounded in social responsibility, where hard work and community are more than just words.

.

More On View

three images of works from Black in Black on Black Exhibition at the Center for Craft

Exhibition

Black in Black on Black: Making the Invisible Visible in Western North Carolina

Through

Sep

6

Jan

7

Learn More