Five Fellowships of $10,000 to advance, expand, and support the creation of new research and knowledge through craft practice.
Altar: Offerings to Grief, 2021 Artist Fellow Macon Reed
To support new research and knowledge through craft practice
To create new models for craft research
To make research in craft accessible within and outside of the Academy
To support the careers of craft artists that may be relatively unknown
To assist "mid-career" artists in undertaking a specific proposal/project that would otherwise not be possible
The Craft Research Fund was created to encourage, expand and support scholarly craft research in the United States.
Proposals are welcome from mid-career artists, artisans, designers, makers, sculptures, and so on, who identify their practice within the field of craft. The Center, and by extension this grant, recognizes craft to be a particular approach to making with a strong connection to materials, skill, and process. We believe in empowering artists, makers, scholars, and curators to grow the field, embracing new definitions, technologies, and ideas while honoring craft's history and relationship to the handmade. Craft, in all its forms, demonstrates creativity, ingenuity, and practical intelligence. It contributes to the economic and social wellbeing of communities, connects us to our cultural histories, and is integral to building a sustainable future.
Applicants must be:
Applicants cannot be:
For the purpose of this grant, the Center for Craft understands craft research to be:
Examples of craft research might include:
The Center for Craft prohibits discrimination, harassment, and retaliation based on sex, sexual orientation, race, color, religion, national origin, disability or perceived disability, age, marital status, gender identity, veteran status, or any other protected category. The Center encourages applications from historically underrepresented populations. Submitting an application does not constitute a promise or guarantee of being awarded a grant or fellowship.
USE OF FUNDS
A panel of reviewers, who are recognized craft artists, scholars, and/or curators, free of any conflict of interest, will evaluate the applications based on the following criteria and five Fellows will be selected:
Considerations in final selections:
The Center for Craft respects, values, and celebrates the unique attributes, characteristics and perspectives that make each person who they are. We foster open communication of diverse perspectives and bring a broad range of individuals together to enrich and support programming. Ultimately we will ask the jury to compose a group of recipients deserving of further recognition while prioritizing diversity, both in and outside of academia, and representing a range of geographies, materials, and communities served.
GRANT INFORMATION SESSION: A virtual application information session will be held on Tuesday, September 6, from 3 - 4 pm ET. The information session recording will be available on the Center for Craft website.
DEADLINE: The application for Craft Research Fund - Artist Fellowship must be submitted via SlideRoom no later than 11:59pm on October 21, 2022. Notification of awards will be released by the end of December 2022 for projects beginning January 2023. Work outlined in the grant request must be completed within 18 months of the award.
NOTIFICATION: Notification of the results will be sent via email by the end of December 2022 for a start date of January 1, 2023. The e-mail address listed on the application form will be used to send out notifications. Please be sure that it is a valid account that you check regularly.
HOW TO APPLY: Applicants must apply using the online application program SlideRoom at http://www.centerforcraft.slideroom.com.
Please review the sample application below before beginning your application.
Please note there is a separate application for each Craft Research Fund category.
All applicants should create a login to be able to partially complete the form and return to finish it at a later date. Before submitting your application, you will be directed to a confirmation page where you will be able to review your form and return to edit or delete your uploaded files as needed. Once you submit your application, you will not be able to access your form again. Applicants will receive a confirmation email once the application form has been successfully submitted.
2023 Craft Research Fund – Artist Fellowship SAMPLE APPLICATION
This is only a sample application, all applications must be completed in SlideRoom.
Proposal to be submitted via SlideRoom as follows:
Please note that the data from the demographics section will only be used anonymously for grant writing and reporting to provide an overall understanding of who the Center for Craft serves. Center for Craft has and upholds an organizational nondiscrimination policy. Completion of this survey will in no way affect your application. You must complete the form; however, you may answer each question with the "prefer not to answer" option. Thank you.
1. Artist statement (up to 500 words/ 3,000 character limit)
2. Summary of research proposal, including project deliverables (up to two pages/ 10,000 character limit)
3. How will this research advance your artistic practice? Why is now an optimal time in your career to receive this award? (250 words/ 1,500 character limit)
4. How do you define research in the context of your practice? What questions will you address through your research? (250 words/ 1,500 character limit) *Please see the "Eligibility" tab on the grant website for a definition of research.
5. How will you plan to share your research? (250 words/ 1,500 character limit)
6. What communities do you hope your project will impact (please limit to up to three) (250 words/ 1,500 character limit)
7. Timeline (form provided in SlideRoom): Please provide a timeline and schedule for completing the project. The grant period begins on January 1, 2022. Projects must be completed by June 30, 2024 (18 months from start date).
8. Budget Income Form (form provided in SlideRoom): Please list the total amount requested from the Craft Research Fund here ($10,000). If you have additional sources of secured or anticipated (prospected) income, please list them here. Please list no more than 10 items. Examples of income:
9. Budget Expense Form (form provided in SlideRoom): Please complete the Budget Expense Form for your proposal (provided in SlideRoom). Please include your plan for disseminating your research. Please list no more than 20 items. Please request the full award amount of $10,000. Examples might include:
10. Please provide a budget narrative for any budget items that require further explanation. (4,000 character limit)
11. Attachment: CV of relevant education and experience (no more than 4 pages).
12. Please provide two letters of support. References should be requested through your application in SlideRoom and are due at the same time as the application, October 21 (11:59pm ET), 2022.
13. 10 to 15 work samples.
Allowed Media Types
You have the option of uploading any combination of images or video links (from hosting sites such as Vimeo, Flickr, or YouTube.) During the review process, only the first 2 minutes of each video sample, so please edit your materials accordingly. Images should be in a JPEG format no larger than 1600 pixels on any side @ 300 dpi. Name each jpeg file with “Last NameImageTitleNumber.jpg,” i.e., “SmithUntitled1.jpg”, “SmithUnititled2.jpg,” etc. Each uploaded image or video link must be accompanied by a corresponding image description (up to 50 words). Please include the title, date, medium, size, and a short description of each uploaded image or media file.
Can collectives apply?
We understand that there are many collaborative partnerships in the art world and we encourage you to apply as long as all members of the collective meet the requirements of the application. You can find specific instructions on how to navigate our application as a collective in the application itself. Collectives must demonstrate an extensive collaborative practice.
Where can I find information about previous recipients of the Craft Research Fund Artist Fellowship?
Check out our online Grant Recipient Archive here. You can sort by grant opportunity by clicking on “Grant” or search “Artist Fellowship” in the search Filter.
Does the Craft Research Fund Artist Fellowship support ongoing projects?
The purpose of the Craft Research Fund Artist Fellowship is to support new research projects. Past research in similar subject areas or methodology can bolster and strengthen an application, but is not required for new research project proposals.
If I don’t win the award, can I apply again next year?
Yes, as long as you still meet the requirements for application.
If I receive a fellowship, will I have to pay taxes on my award?
Yes, all cash prizes are taxable income.
May I mail a hard copy of my application materials to the Center for Craft’s office?
No, hard copy submissions will not be accepted. The application must be completed and submitted through SlideRoom.
Can I work on my application and return to complete it at a later date?
Yes, creating a login account will enable you to complete the form in several online sessions.
I just submitted my application but I want to return to it and make an edit. Is this possible?
No, once your application is submitted, you will not be able to return to the form or change any submitted information. The application fee must also be paid at the time of submitting your application as you will not be able to log-in again to access the payment page again.
What if my project timeline is affected by COVID?
If your project timeline is affected by COVID, requests for extensions of up to 6 additional months may be made after the grant is awarded.
I have previously received a Center for Craft grant. Am I eligible to apply?
I have previously received a Center for Craft Research Fund Artist Fellowship. Am I eligible to apply?
I have previously received a Center for Craft grant but did not complete the project or am still in the progress of completing the project I was funded for. Am I eligible to apply?
Are applicants responsible for obtaining copyrights to documents, images, and manuscripts included in their research?
I have a question that wasn’t answered. How can I reach the Center for Craft?
If you have any further questions, please contact firstname.lastname@example.org.
The Center for Craft is pleased to announce the recipients of 2023 Craft Research Fund Artist Fellowship. This year five mid-career artists will receive $10,000 each to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
Process photo of assembly of Y-axis conveyor belt.
Rose Buttress is a self-trained machinist and programmer. Buttress’s research titled “FULL,” uses a novel design of fabric cutters to prefigure small batch garment fabrication efficiency with the goal of generating a new philosophy of inclusive design. Her research attempts to renegotiate the constraints on the industry through a methodology of developing new equipment that places the leading industrial mass production techniques and processes within small workspaces.Learn more
Photo credit: Sean Carroll
Alexis Rosa Caldero
Alexis Rosa Caldero is a first generation Ecuadorian-American and Puerto Rican disentangling from the inherited experience of forced assimilation. Informed by experience with wood, education, and art direction, Caldero’s craft strives to evoke beauty, unearth story, and build connection. Their research, titled “Beyond Ergonomics: Furnishing Healing,” asks what studio furniture can learn from anti-racist, fat positive, body-centered activism. It proposes a hands-on analysis of how everyday furniture can play a role in one’s healing journey through somatic study and community building.Learn more
Photo credit: Mary Kang
Dana Davenport is an interdisciplinary artist, who shifts between installation, sculpture, video, and performance. Within her practice, Davenport addresses the complexities that surround interminority racism as a foundation for envisioning her own and the collective futurity of Black and Asian peoples. Davenport's research titled “Dana's Beauty Supply: Research,” examines Black hair and hair care as a material that binds Black Americans and Korean Americans through the beauty supply industry, an industry that is overwhelmingly Korean-owned with a primarily Black customer base.Learn more
Photo credit: Benjamin Weinberg
Emily Robison is a textile artist whose work incorporates place and cultural experience. Building upon their work with byssus fiber, a textile fiber produced by clams and traditionally used throughout the Mediterranean, Robison will research 18th and 19th century published descriptions of byssus production and the feasibility of adapting these techniques to North American pen clams.Learn more
Photographed by David Hunter Hale
Nastassja Swift is a sculptural fiber artist, whose work exists figuratively in full or often fragmented forms that speak to geographical histories, womanhood, language and community. Swift’s needle felted portraits incorporate quilting, beading and other traditional and non-traditional materials morph into a form of storytelling that references the above themes. Swift’s research title “Hooded Figures: A History of Fashion and Power,”examines hoods across centuries, closely identifying the social and racial associations of the garment and how its symbolism has shifted over time. Using felting, quilting and beading, this research project will produce re-imagined images of Black subjects adorned in a hood.Learn more
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