GRANTS & FELLOWSHIPS
Our grant programs build a future for craft by providing vital resources to catalyze craft communities and amplify craft’s impact in the United States. We believe craft matters.
Field Building
Field Building
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Each resident will receive a $10,000 honorarium, a $2,000 materials/professional development stipend, daily access to a 200 square foot studio space and shared studio resources, a Flex Desk Cowork pass in the Center for Craft’s National Hub, as well as monthly downtown parking or bus fare stipend.
Deadline:
Dec 15, 2023
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Graphic design by Elephant in the Room
Twenty-one mid-career craft artists who teach will receive $10,000 grants and join an 8-month cohort experience that supports their artistic and career development with programs, mentorship, and peer-to-peer learning.
Deadline:
Nov 30, 2022
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Courtesy of Theju Nimmagadda
Each year the Windgate-Lamar Fellowship awards $15,000 to 10 undergraduate seniors across the United States who demonstrate exemplary skill in craft - one of the largest awards offered nationally to art students.
Deadline:
Feb 2, 2024
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Image of altar for the deity of Orisha, Oshun. Image by M Tsang.
Grants up to $15,000 for research, writing, support documentation, images or rights to use images or text, as part of craft research yet to be completed.
Deadline:
October 5, 2023
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Diedrick Brackens, heaven is a muddy riverbed, 2018. 50 x 34 inches. Woven cotton and cubic zirconia earrings. Image courtesy of Various Small Fires, Los Angeles, and Jack Shainman Gallery, New York
Grants up to $15,000 will be awarded to support exhibition research relating to the goals of the Craft Research Fund.
Deadline:
Oct 5, 2023
featured recipients
After studying weaving techniques at Penland and the Jacquard Center and narrative capabilities of weave structures at the Museum of the Cherokee Indian, I will establish a studio to complete a body of woven poems for exhibition and organize a workshop for writers and weavers interested in crafting literary cloths.
See the workSupport for a dissertation research about government-funded basketry, pottery, and woodworking craft workshops in the 1960s-70s among the Florida Seminole, Mississippi Choctaw, and North Carolina Cherokee.
Support for thesis research about the neglected history of indigenous women potters in San Marcos Tlapazola, a small pueblo in Oaxaca, Mexico and how different types and geographies of knowledge can dialogue in a modern craft context.