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Grant Recipient

Gaylin Nicholson

Windgate-Lamar Fellowship
,
2025

My practice interrogates the union of nostalgia and labor through traditional sculpture materials and installation techniques. Working in ceramics, bronze, and wood, I reveal my personal memory in resonance with a collective history of labor and creation. My work asks how domestic places alter our lives and shape our identities. How do we transform these spaces in return? Coming from a family of farmers, mechanics, and carpenters, I see their touch and hear their tales echo in the world around me. I seek to excavate the myth, wonder, and secrets hidden in seemingly trivial memories. From the faded wallpaper of my mother's bedroom to a weary sigh of aging parents laboring for me, these modest moments become monuments to the labors that quietly exist around us.

Through traditional materials and craft techniques, I seek to imbue these moments with the weight of history and human effort. In using cast bronze, I build upon and challenge the ancient value of this material by burying it under plaster, paint, clay, or concrete to equalize the contemporary and the historical. I devote my work to ceramics’ sincerity, vulnerability, and domestic history by developing my clay bodies and using traditional hand-building techniques. Obsessed by the significance of place, my work employs the sensibilities of home construction trades. Using walls, doors, flooring, and windows, I lovingly craft distorted domestic spaces as a tribute to the labor of those who lovingly crafted me.

Organization Background

Photo courtesy of the artist

Location

Kansas City, MO

EDUCATION

MEDIUM

Ceramics, Kansas City Art Institute

MATERIAL EXPLORATION

Grant amount

$15,000

Selected works

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